Occasionally I’m asked to spread the word about something related to the Canadian wine industry. Along that line, I got an email the other day from Wine Growers Canada (WGC) about the nomination process for their 2021 Canadian Wine Industry Awards. (If you’re like me, you may not have realized that the Canadian Vintners Association was re-branded as Wine Growers Canada in January 2020.)
Due to the pandemic, Wine Growers Canada, which is a trade association whose aim is to advocate on public policy initiatives of interest to its stakeholders, did not issue awards in 2020. So, they are keen to publicize the 2021 Canadian Wine Industry Awards.
At this time, they are seeking nominations for three awards:
The Award of Distinction – this award honours an individual who owns, managers, or is directly employed by a Canadian winery. The award is for demonstrating outstanding leadership, commitment, and passion for the advancement of the Canadian wine industry.
The Wine Industry Champion Award – this award honours an individual who has provided exemplary support for the Canadian wine industry thought media, research, policy and regulation, education, or advocacy that significantly contributes to the overall strength and long-term viability of the industry.
The Karl Kaiser Canadian Winemaker Award – this award honours an individual who works for a Canadian grape winery (as opposed to, say, a winery that specializes in fruit wines, I imagine). The winner is someone who has exemplified leadership in winemaking and has exhibited mentorship with fellow winemakers and others in the industry, and who has invested time and energy toward winemaking excellence.
Though it’s not 100% clear from the nomination form, I confirmed with someone from WGC that anyone can submit nominations for these awards. In other words, you need not be in the wine industry or in WGC to nominate someone. Furthermore, I confirmed that the awards are not limited to people working for, or affiliated with, WGC members. (So, for example, you can nominate your favourite winemaker even if he or she works at a winery not on the WGC member list.) And remember – the nominations are open to folks who work in any Canadian winery – not just Ontario wineries.
The deadline for nominations is February 26, 2021 and the awards will be announced at a ceremony in July.
I think it’s nice that Wine Growers Canada is providing this opportunity for regular folks like you and me – who appreciate and support the Canadian wine industry – to participate in a process aimed at recognizing the talents and hard work of the folks involved in the Canadian wine industry.
As pretty much the whole province has experienced spurts of on-again/off-again arctic cold, it’s only natural to wonder (even worry) about what these extreme temperatures must be doing to the vines.
After the last polar vortex winter a few years ago, I couldn’t help notice how many wineries have purchased wind machines. And who can blame them, when a fraction of a degree more warmth in the air swirling around the vines on a cold night can make the difference between a healthy yield and an increase in the amount of bunches that end up as verjus.
On the recent family day weekend, I visited the EPIC wine region (Essex, Pelee Island, Coast) on the shores of Lake Erie. Though the region is further south than other regions in Ontario, it’s not immune to extreme weather. Indeed, wineries in the area no doubt vividly remember 2014 when they lost most of their crop due to cold winter temperatures.
A few weeks before my visit, I was in touch with Ann Wilson of Oxley Estate Winery. I asked her whether they were concerned about this winter’s extremes. She basically said that they manage what they can manage, but they won’t know till spring what the impact really is. But then she added a comment that intrigued me. She said it’ll be interesting to see whether their experiment in “blanketing” their Merlot and Syrah pays off.
I didn’t get a chance to ask what that meant, but as I headed to the region, I kept my eyes out to see if I could figure out what she was talking about. As I neared Oxley on County Road 50, I saw white, pup-tent like coverings on various rows of vines on the corner of one of their properties. Clearly this was what she was talking about. After stopping to snap a few pictures, I found Ann and Murray and asked them about it.
They said they heard that some wineries in Prince Edward County (PEC) and Quebec have used these blankets (geotextiles) as a way of protecting the vines and that the wineries have had success with them. So, last year Murray and Ann visited PEC to learn more about it.
They decided to give it a try this winter. According to Murray, the idea behind the blankets is to create kind of a greenhouse effect atop the vines. When the geotextile gets wet, it freezes and then the warmth of the sun and the heat from the ground stay trapped beneath the blanket.
While it sounds simple, actually placing the blankets on is quite labour intensive, he said. For one thing, they have to prune in the fall, rather than in the late winter/early spring. They also have to lower the trellis wire and tie the canes to the lower wire. Then they have to find a way to deal with the metal poles that run the length of the row to hold up the trellis system. One of the blanket edges has a wire on it that helps keep it down, but the other edge they weight down with dirt.
Since this system is not widely used, the timing of when they’ll remove the blanket is another matter. The fact that there aren’t many wineries using this system means there’s limited experience to draw on. And, since the growing season starts sooner in the EPIC region than in PEC, it’s a decision Oxley will have to make on its own.
I think many local growers will be paying close attention to how this trial works at Oxley. One thing’s for sure, they couldn’t have picked a better winter to test this technique. If it’s successful and proves worth the added time and expense, growers will have another tool to help manage the impact of climate change.
One of the things I especially enjoy about driving around wine country is seeing the lush, straight rows of vines tethered to the delicate-looking trellises. I love seeing vineyards because they remind me that the delicious nectar that I so enjoy has its start on a farm.
And, when I visit a winery, I love seeing all the gleaming stainless-steel tanks and rooms full of beautiful, hand crafted barrels. At the same time, thinking about the huge investment required for all the specialized winemaking equipment makes me catch my breath.
The winery owners I’ve met come from all different backgrounds. For some, it’s their fir st or only business. For others, it’s a second career, or even a retirement project. And yet, despite the differences, they do have some things in common. The most obvious commonality is their passion for wine. But beyond that, they also are all risk takers and careful business persons (well, at least those who manage to make a go of it).
Though I’ve always assumed the business of owning a winery was risky, a recent writing assignment I got from the Chartered Insurance Professionals (CIP) Society gave me a whole new appreciation of the types of risks involved. The CIP Society asked me to write a paper on insurance issues faced by wineries. It was a fun and interesting assignment that gave me an excuse to “talk business” with people involved in the Canadian wine industry.
The primary audience for the paper was insurance professionals, so the paper is admittedly a bit technical. But, for those of you who – like me – are inherently interested in the business of owning a winery – you might find the paper interesting.
The CIP Society has graciously given me permission to share the paper – called “From Rootstock to Bottle” – with my readers. You can find it by clicking here.
There are a number of things that make Ravine special – the wines are lovely, they have one of the best restaurants in the area, and it’s a family-friendly place.
What I think a lot of visitors don’t know is that the house at Ravine has an especially interesting history. Though I knew the unusual history of the building, when I was there earlier in February, I thought it would be interesting to ask some of the staff about it. To my delight, Sally, one of the retail associates was happy to tell us about it. She was so knowledgeable, I asked her if she would let me shoot a short video of her telling us the story. She kindly agreed and you can watch the video here.
After I got back, I decided to dig up my original description of Ravine – the one that was included in the app back in 2012. My description of the winery is still on point, so I thought I’d re-publish it here – for those who might not have seen it:
Tucked Away Gem
I had never heard much about Ravine Vineyards and had really never even driven past it. So, when I went looking for it, I knew I’d be surprised. Turns out I was surprised and charmed. There’s something about the clean lines and symmetric look of the restored historic Georgian home that appeals to my aesthetic sense. Then, when I noticed what looked like food being served on the charming patio, I was more than intrigued. (More on the surprises about the food in a minute.)
Walking into the house you step back into history. The home is lovingly maintained and information is thoughtfully on hand for folks like me who didn’t know of the rich – and unusual – history of the unusual home. Though I knew a bit about the history of Niagara-on-the-Lake, I had never heard of the Wm. Woodruff House – the house that replaced the original 1802 house of David Secord that used to stand on the property before being almost totally destroyed (the original fireplace and chimney from the original house still exist) by the Americans toward the end of the War of 1812.
But the history of the home does not end with its being rebuilt after the fire and eventually purchase by William Woodruff and his brother Richard in 1824. The Woodruffs expanded the house and in the early 20th century three to four families lived in it at a time. In the 1960s the house was sold a couple of times and in 1967 it was sold to a couple from Caledon Ontario (a town north-west of Toronto) who dismantled it, numbering all the posts and beams, and moved to Caledon where it was reassembled. In 1992 the house was sold and moved to Bond Head, Ontario. Then in 2001 it was sold and moved to Port Hope, Ontario. Finally, in 2003 it was sold to Norma Jane and Blair Harber who returned it to the village of St. Davids and it became the hospitality centre of Ravine Vineyards on the Lowrey Farm.
Of course, the buildings are just part of the story of any winery. Another important story is the terroir – and the property Ravine Vineyard Estate is also noteworthy. Ravine Vineyards’ 34-acres of vines are on the St. Davids Bench, which is about 20 percent warmer than other locations in the region.
The 100-acre Lowrey farm has been in Norma Jane’s family (the Lowreys) since the 1860s. The family grew tree fruit and grapes and through the mid-1970s they sold their crop (mainly Labrusca grapes) to another local winery. The vineyard then went fallow for a period until 2003 when Norma and her husband decided to plant vinifera grapes on the 34 acres and to found Ravine Vineyard Estate Winery. The winery is certified organic.
Yesterday I was down in Niagara-on-the-Lake for my second round of Taste the Season. Like last week, a girlfriend and I made a day of it.
Also like last weekend, our first stop was less than inspiring. I was looking forward to stopping in at The Lakeview Wine Company because it’s been awhile since I was there and they re-built the tasting room. (It used to be a modified construction site trailer that they inherited when they bought 20 Bees Winery.) The new building is quite spectacular and worth seeing, especially if you remember their previous digs.
Unfortunately, the Taste the Season pairing was not as exciting as the new building. In fact, the butternut squash gnocchi was a bit of a disaster, despite the effort. The caterers had set up a lovely prep station and they were sautéing the mushrooms and carefully plating each with a lot of love. Lakeview chose a nice wine to pair the gnocchi with – their 2016 FRESH Riesling Gewürzt blend. The crisp, refreshing wine was quite nice – and very reasonably priced ($12.95) – but the gnocchi was hard (you had to stab it with a fork to pick it up). Disappointing, to say the least. But, there were plenty of other places to try, so I was sure the day would improve.
My plan was to visit wineries on or near Niagara Stone Road – the highway that runs through the heart of the region. So, our next stop was Wayne Gretzky Estates Winery and Distillery. Though it opened earlier this year, I hadn’t yet stopped in. The Gretzky brand is part of the Peller family of wines and it’s been around for a number of years, but the venue is new. Also new is the addition of a line of whiskys.
The winery is a two-winged expanse situated on a can’t-miss-it location along one edge of one of the (newish) traffic circles on Niagara Stone Road. Everything about it is designed to impress. The first thing you notice as you walk up to it is the beautiful copper and stainless steel still that’s visible through the two-story window in the front of the building on the left. Our guess was that the Taste the Season event was going on in the other building. But, before going in, I wanted to poke around toward the back, to see the buildings from a different perspective.
I’m sure glad we did, as there are some delightful surprises there: an inviting bar that looked cozy enough to enjoy a drink even in the dead of winter – especially since it’s next to an ice skating arena they’ve built – a very nice touch! Though it was too warm for ice at this point – you know it’ll be a big draw once the temperature drops. Honestly – you can’t help but think that’s just the kind of arena Walter Grezky probably set up every winter in the back yard for Wayne and his friends …
As for the Taste the Season offering at Gretzky’s – well, they were serving their 2016 No. 99 Baco Noir ($15.95) paired with white bean, smoked paprika and ham hock cassoulet. Apparently, the cassoulet was prepared by the well-known restaurant at Trius – one of the other Peller wineries. As the server was getting ready to serve us, she made sure to mention there was bacon in, asking us if we were ok with that. Sadly, the bland white bean soup they served bore no resemblance to cassoulet. I couldn’t believe it was from Trius’ well-known restaurant. The wine was alright, but nothing to write home about and certainly no way to know whether it would pair well with real cassoulet.
After the shockingly bad offering from the Trius kitchen, I was curious to see what they were serving up as part of Taste the Season at Trius Winery at Hillebrand. So, we stopped in there next. Well, talk about night and day. As you can see from the photo – at Trius they were serving exquisite miniature cones filled with smoked salmon, crème fraiche, and pickled red onion paired with their 2016 Trius Chardonnay ($15.10). The petite cones were to die for and the unoaked Chardonnay was perfect with it. It’s hard to believe that the same kitchen that turned out that little bit of heaven made that tasteless white bean soup at Gretzky’s. I guess it happens…
Our next stop was Pillitteri Estates Winery – one of the few places featuring dessert. They were serving a cinnamon candied pecan crusted pumpkin cookie paired with their 2015 Canada 150 Select late Harvest Vidal. Though I didn’t much care for the texture of the cooking, the wine was terrific and it paired well. The wine is an exceptional late harvest and a terrific value ($15 for 200 ml). Of all the wines I enjoyed as part of the 2017 Taste the Season event, I think this wine offered the best value and would make a great gift for anyone who enjoys a dessert wine.
I was keen to stop at Stratus Vineyards, which I generally think of for their reds, because they were featuring their 2015 Stratus Weather Report Chardonnay ($28.00) paired with “Fat Chance” smoked salmon. After the exquisite salmon-based appetizer at Trius, I thought the simplicity of the Stratus pairing might be a bit of a let down. I could not be more wrong. The buttery, melt-in-your-mouth salmon and the light oak of the Chardonnay proved the best pairing of the day. Another reason the pairing was so inspired is it actually represents something simple enough that all of us could serve our guests. Hats off to Stratus for the pairing – and for spreading the word about Imant Malins’ Fat Chance salmon, which is locally-sourced.
The Wineries of Niagara-on-the-Lake provided me with two passes to the month-long event. As I’ve said before, I think the passport programs are a terrific idea and a great value. They’re brilliant because you can visit 25 wineries per passport and you have the entire month to use them. Also, they’re fully transferrable so you can share them with different friends.
There’s one more weekend to enjoy Taste the Season. If you don’t have a chance to get out next weekend, mark your calendar for February – they’ll be running the Days of Wine and Chocolate.
Noble Estates Wine & Spirits, a wine agent here in the Toronto area, hosted a fantastic event in Toronto a couple weeks ago: Celebrating Women in Wine. The event featured women from 20 wineries around the world.
The list of women was impressive – there were owners, winemakers, enologists, and women who hold important behind-the-scenes functions that no modern winery can do with out: positions related to sales, marketing, and export. Though many attendees were there primarily to taste the wines, I saw it as a rare opportunity to chat with a bunch of incredible women who are driven by hard work and a love for wine.
The first woman I spoke with was Emanuela Stucchi Prinetti, Proprietress of Badia a Coltibuono, a winery in Siena, Tuscany. Though she grew up in Milan, the winery has been in the family for 170 years. In the 1980s she began doing marketing for the winery and she now manages it, with her brothers looking after sales and the restaurant.
Since I was unfamiliar with Badia a Coltibuono, I asked whether it’s the type of winery that’s considered a destiny. In a wonderfully modest fashion, Emanuela indicated that the winery, which used to be an abbey, is very much a destination, with rooms, a restaurant, and even a cooking school. When I asked her how the cooking school came about, she explained that her mother was a “food writer”. When I asked what that means, she explained that her mother was a well-known cookbook author who also had a cooking show on PBS for a time. Indeed, it turns out her mother is Lorenza de Medici, author of over 30 cookbooks. In terms of their wines, Emanuela described their Chianti as a wine that “shows the history of Chianti” – and with the pedigree of the family and the winery, it’s hard to argue with that!
I then went in search of Beth Nickel, Proprietress of the famed Napa winery Far Niente With the recent news of the devastating fires in California, the first question was about the fate of their winery and vines, and of the general region. She said a few wineries were damaged, but theirs were not. She also affirmed reports that the vineyards proved to be a natural defense to the fires because the vines hold so much moisture. Nonetheless, she showed photos and said it was a frightening experience and she and her family were evacuated for 10 days.
Beth and her husband Gil launched Far Niente in the late 1970s and I thought I read that they had just sold it. She explained that they took on a new partner last year, but that they are still very much involved. She was especially excited to talk about their Nickel & Nickel wines, which are all single vineyard.
Marta Casas, winemaker of Parés Baltà , a winery outside Barcelona, had an interesting story too. It turns out she and the other winemaker there married into the business. Marta is married to Josep Cusiné and Elena Jiménez, the other winemaker, is married to Joan, Josep’s brother. Together, the brothers manage the winery.
Marta, who began her professional career as a pharmacist, was always interested in wine and she eventually decided to go back to school to study it. I’m not sure when exactly she and Josep met, but clearly their common interest in wine must have played a part in them being together and working at Parés Baltà. Given that Barcelona’s been in the news lately as well, I took the opportunity to ask Marta about it. She confirmed that things are a bit tense now, and they don’t know what the future holds. But, she was much happier to talk about winemaking and about the fact that their winery is organic and biodynamic. One of her wines – their Cava Brut NV – which is made of the classic Catalan blend of Parellada, Macebeo, and Xarel-lo, was one of my favourites at the event.
Barbara Widmer, owner and winemaker at Tuscany’s Casa Brancaia, was there pouring her “super Tuscans” – basically Bordeaux-style blends that feature Sangiovese and other grapes that are not indigenous to Italy. Her TRE, named because it’s a blend of three wines: 80% Sangiovese with a mix of Merlot and Cab Sauv, was lovely. Widmer, who doesn’t look or sound Italian, is, in fact, from Switzerland. Her parents bought the property and started the winery in Tuscany while living in Zurich. Having summered at the winery while growing up, Barbara realized she wanted to be in the business and in she took over winemaking there in 1998.
The wine business – especially when it comes to Old World wineries – is often a family business. So, it’s not surprising that some of the women I spoke with had family connections. But, that doesn’t mean their entrée into the business was a snap. Indeed, the story of Françoise Antech, Proprietress at Antech Limoux, is an example of the fact that even within a family, women can face barriers. Though her grandmother had been involved in the winery, when she expressed interest in working in the family business, her father discouraged her. So, she made her way in the world, working in the perfume business for many well-known French firms. Eventually, with enough business experience behind her, she reasserted her interest, and the rest is history. Since 1996 she has worked alongside her father and uncle at the estate that specializes in sparkling wines.
I’m very pleased to note that the event also featured a few women from the Ontario wine scene: Elisa Mazzi, who has been assistant winemaker at Malivoire for seven years, and Beth Whitty, Proprietress of 13th Street Winery. I am embarrassed to say that though I’ve frequently visited both these wineries, I had not met either of them. I promised both that at a future visit I’d speak with them at length and write about their journey through the wine industry.
In closing, I just want to say hats off to Mark Coster of Noble Estates Wine & Spirits. I understand he played a big role in putting this event together. It is a terrific idea and one that I hope is repeated and perhaps grows, celebrating more women in wine.
If you’re a wine enthusiast and you see yourself as someone who is “hands on” (not to mention if you have fond memories of Lucy and Ethel getting down and dirty in a wine barrel) – Flat Rock Cellars’ Pick, Stomp & Taste is for you!
I had seen this annual event announced a few years ago, but I hadn’t had a chance to attend. This year I happened to see it announced in a tourism newsletter and when I checked my calendar and found it was clear – I called the winery to book it. (I was surprised that the event wasn’t listed on the winery’s website – I asked them about it and they said it’s so popular they only advertise it through signs at the winery and on social media.)
Yesterday was the perfect day for it – sunny and hot. Ed Madronich, owner of the winery, was our enthusiastic host. (Click here for a short video of Ed talking about Flat Rock Cellars and about Ontario being the idea wine-growing climate.)
After welcoming us, he explained how the afternoon would unfold, warning – a number of times – that the shears were sharp AND when you’re getting into the vines to clip with one hand “you can’t see your other hand”. Though his repeating of the warning may have seemed a bit much to some, I didn’t mind. (I didn’t hear of any injuries among the group, so clearly everyone took note.)
We were picking not-quite-ripe Riesling. In groups of four or five, our task was to fill a bin.
When our bins were full, we dumped the grapes into a half-barrel and, with the warning that it can be slippery, the first person gingerly stepped in. Though shy at first, we soon found the more the merrier in the barrel.
And, we soon realized there’s no “right way” to do it and different folks had different techniques!
When we felt the grapes had given up their last bit of juice, it was over to the garden hose for a quick wash.
Then we went upstairs to the hexagonal tasting room to taste, and enjoy the lovely view of the vineyard and Lake Ontario in the background. Ed led the tasting that included a sip of fresh Riesling juice. (It was not the juice we had just made – it was juice they had squeezed that morning – not by folks stomping on it, we were told.) The tasting was surprisingly fun too – mainly because of Ed’s enthusiasm and candor. He explained why you should always start with reds and move to whites – and he had us taste in a particular order to demonstrate the wisdom of this approach.
My favourite comment of the day was when Ed admitted that at tastings, he doesn’t spit – he can’t bring himself to waste the wine! Hear, hear!
Flat Rock Cellars hosts Pick, Stomp & Taste again next weekend (September 23/24). Reservations are required, and it fills up fast – so call the winery now (905-562-8994 or Toll Free: 1-855-994-8994) – or mark your calendar to book it next year.
I often wonder how wineries can afford all the different types of equipment needed for that precious nectar to go from grape to the bottle I enjoy with dinner. If you’ve ever been to a winery, you’ve probably seen a press, tanks and barrels. But there’s also a raft of special-purpose equipment involved in bottling and labelling.
If a winery can’t afford their own bottling equipment – or if they don’t want to tie up precious space for equipment they may only use a few weeks a year – they have to make alternative arrangements. Sometimes that means shipping their wine via tanker to another winery for bottling. Turns out, another alternative for wineries is Hunter Bottling, a company that’s been offering mobile bottling services for about 15 years. A number of Ontario wineries use them (particularly in the Niagara region, which is where Hunter started).
Intrigued by the idea, I began asking around to find out more about Hunter Bottling and their services. I soon found out that Malivoire Wine Company uses them. So, since Malivoire’s winemaker Shiraz Mottiar is very approachable, I dropped him a line and he put me in touch with Glenn Hunt, founder of Hunter Bottling.
Mottiar was also kind enough to let me stop in (in mid-May) and see the bottling line in action. Click Here to watch a short video of Hunter Bottling at work bottling Malivoire’s 2016 Gamay. Special thanks go to Mottiar for explaining the process and to the crew of Hunter Bottling who let me into the truck as they worked.
Hunter Bottling’s Back Story
Glenn Hunt, who grew up in St. Catharines, was in the winery business long before he started Hunter Bottling. Early in his career he focused mainly on the sales and marketing side (though he also had a successful virtual winery for a while). He was working at Hillebrand at the time Peller (the owner of Hillebrand) was building Peller Estates’ winery on East-West Line in Niagara-on-the-Lake. To satisfy regulations that required Peller to conduct a certain amount of processing on-site at their wineries, Peller had the idea of transporting its bottling line between its two properties: Hillebrand and Peller Estates. So, it outfitted a 53-foot semi with a bottling line.
Because Peller’s mobile bottling trailer sat idle for a fair bit of time, Hunt approached Peller with the idea of him renting the truck from Peller and offer bottling services to other wineries. Peller was agreeable and so in 2002 Hunter Bottling debuted, using Peller’s truck. At about that time, Martin Malivoire was thinking about putting a mobile bottling facility together. Malivoire’s idea was to put the bottling line in a smaller truck, as not all wineries have the space to host a full-size semi.
Malivoire designed a line that would work in a truck’s 22-foot box and Hunt bought the plans from him. Hunt affectionately described the original 22-foot box as a cute little truck and Hunter Bottling used it for quite some time. In 2012 they expanded it a bit and its current fleet is three trucks, each with a 28 foot box (40 feet overall).
In Ontario, Hunter Bottling focuses mainly on the Niagara region, though they also service wineries in various “emerging regions” of Ontario. As well, they service a number of wineries in Virginia. They’re also the Ontario sales rep for the French bottling equipment maker they use for their bottling lines.
And, in case you’re wondering – as I was – Hunt says each fully outfitted truck costs about $750,000. Obviously, it’s quite an investment. So, it’s no surprise that for many wineries it’s more cost effective to hire Hunter Bottling, rather than invest in equipment for a bottling line that sits idle much of the year.
A Typical Bottling Day
Mottiar says that on bottling day, Hunter Bottling’s truck typically arrives at the winery at about 6 a.m. It takes Hunter about 90 minutes to set up and by 7:30 or so, they’re ready to start. The bottling activity involves a combination of winery staff and Hunter staff. Malivoire’s retail staff does the repetitive manual work on the line – things like loading the empty bottles onto the line, taking the full cases of wine off the line and onto the pallets for storing/shipping. Hunter’s staff runs the equipment, cleans it out between runs, and so on.
Speed and other Variables
In terms of the speed of the process, Mottiar says it averages about 3,000 bottles per hour. A variety of factors impact the speed, including some variables I wouldn’t have considered. “It can depend on the wine – some flows quite easily. Reds with some age, for example, usually flow very well. The bottle shape also impacts how fast the bottle is filled, as does whether we’re using a screw top or cork,” said Mottiar.
Another interesting variable they’ve had to contend with is labels that don’t want to adhere. If the wine is too cold, for example, the bottles sweat and then the labels don’t always want to stay on. The day I was there was unusually hot and the stainless steel tank holding the rosé they planned on bottling later that afternoon was starting to sweat. To compensate, Mottiar thought that they’d probably end up having to turn on the air conditioning in the bottling truck to lessen the chance of the bottles sweating.
I’m continually impressed with the ideas Ontario wineries come up with and I’ve been wondering what some might be doing to mark Canada’s 150th birthday.
Well, 10 of the EPIC wineries (the acronym stands for Essex, Pelee Island, Coast wineries) have released a special, limited collection of VQA wines under the EPIC 1867 banner. Each of the participating wineries have produced one wine that features a custom-designed label that talks about an aspect of the region’s rich winemaking history, which actually pre-dates confederation by a year. And, in keeping with the theme, each bottle retails for $18.67 (plus bottle deposit).
The idea behind the project was three-fold: to celebrate Canada’s sesquicentennial, to commemorate the role the region had as the birthplace of the Canadian wine industry, and to showcase the vibrancy of the region’s wineries today.
The limited edition wines (Melissa Muscedere of Muscedere Vineyards Estate Wines says that each winery produced only 100-150 cases of their featured wine) were released May 27th and are available while they last.
Here’s an alphabetical list of the participating wineries and their commemorative wine:
From August 4, 2017 through December 31, 2017, Windsor’s Chimczuk Museum will host a special exhibit called “Toast to the Coast – an EPIC 150 Years”. The exhibition will tell the story of the region’s winemaking history. To compliment the exhibit, the museum will host a series of speakers later this year. (Details about the speaker series have not been announced – for more information, check the museum’s website.)
You can also get a commemorative poster ($10) that features all the different labels and the story – actually, the history – behind each.
You can also get a commemorative poster ($10) that features all the different labels and the story – actually, the history – behind each.
Yesterday I was at Taste Ontario — a VQA tasting featuring over 40 Ontario wineries. Nice to see some new wineries, including Meldville Wines, Derek Barnett’s virtual winery (you can find it a Legends Estate Winery in Beamsville). I especially liked his Chardonnay 2015 (Retails for $20).
It was also nice to have some wineries from further afield, including two from the Lake Erie North Shore area, four from Prince Edward County, and two from the so-called Emerging Regions.
Here are a few random notes about a some of the wines and wineries:
Closson Chase, which traditionally only made Chardonnay and Pinot Noir, is now making Pinot Gris. Their Watson Pinot Gris 2016 is the second vintage they’ve produced.
Good Earth’s Viognier 2015 (retailing for $24.95) is quite lovely. They barrel age it so it has an unusual fullness for a Viognier. Sadly, only available at the winery. But then again, Good Earth is a terrific destination – they have a bistro and they offer cooking classes too.
Icellars Estate Winery was there – first time for them. Adnan Icel, the owner/winemaker, was excited to be there and he mentioned that they will be at Cuvee this year too. So, plenty of opportunity for you to try their exceptional wines, which at this point are only available at the winery and on-line.
Vieni Estates Wine and Spirits’ Momenti Sparkling was one of the best values on hand yesterday. Retailing at $13.95 this Vidal/Pinot Grigio Charmat method sparkling would be a perfect addition to summertime socializing.